Harold Rhenisch


Winging Home

A Palette of Birds

 

illustrated by Tom Godin

News and Views

.

.

contact

 
 

Natural History

Brindle& Glass March, 2006. ISBN: 1-897142-12-9 (Canada); 978-1-897142-12-7 (U.S.) 242 pp 


 

Read a Sample

In 1992, Harold Rhenisch moved from the desert of the Okanagan Valley to the remote high country of the Cariboo Plateau, where he found wildness. This is the story of a love affair with birds, with the land, and with his young family. Eleven years in the making, Winging Home is full of Cariboo birds, Cariboo people, and, always, the land and the everchanging Cariboo sky. There has never been a bird book like this one. There has never been a Cariboo book like this one.

Rarely has writing about the natural world been an audacious literary tightrope act as this.

Illustrated by Tom Godin.


Sample
         
       Garden Variety Crows
Crows aren't easily fazed. You don't just leap out from behind the corner of the house and shout, "Boo!" and expect to see them scatter to the four winds. They probably wouldn't even raise an eyebrow, actually. The most you might reasonably expect would be for them to hop a few feet sideways and continue digging up your newly seeded peas, the organic ones, the ones without the pink fungicide coating. That pink stuff might look like caramel popcorn, but it tastes so bad. Crows have pride. Respect, though&emdash;well, they don't have much of that. For moments of disrespect, I have just the thing: a scarecrow. His name is Chubby, and he is five years old. For a spine he has a six-foot long 2 x 2 and for a head an empty plastic milk jug, nailed firmly to the top of his spine with a two-and-a-half inch spike. His face is an old burlap sack that once even had an expression of smug contentment, painted on with a widetipped black felt pen. After five years of sun and rain and snow, though, the world has pretty well succeeded in wiping the smile completely off Chubby's face. He wears a red Bardahl cap and an old pink and tan checked shirt stuffed with a length of black plastic sheeting from a pallet of lumber. His jeans have huge holes in the knees and are bleached and faded by the sun and stiff from the rain. They, too, are stuffed with scraps of black plastic sheeting and are tied at his waist with a length of hemp twine. When he was new and I drove him in among the tenfoot-tall sunflowers, Chubby cut a pretty striking figure, albeit a portly one, but he doesn't look very imposing now. He has fallen over too many times in windstorms, face-first into the mud. To keep him on his feet, I finally lashed him to the end post of a raspberry trellis last fall. There he remains, cinched to the post with a loop of wire around his neck. Chubby has become a part of the scenery&emdash;even the red of his cap is so faded that it blends in with the muted colours of the spring garden. The crows must think so, too. The other morning I found one of them, like a Tsimshian chief in all his ceremonial regalia, calmly and without expression&emdash;but with great curiosity&emdash;walking up and down the rows of onions I had just planted, plucking the onion sets from the ground and tossing them to the side. I don't have a clue what he was looking for&emdash;it couldn't have been onions: he didn't eat, or even try to eat, a single one of those. I went out and chased him away, waving my arms and yelling. It took me ten minutes to straighten out the onion patch, and, you know, I think he was doing it just for the joke of it. He had made me into a scarecrow. I gave Chubby a sour look.

top